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The Mature Content Lock will require the viewer to verify his/her Now TV subscriber identity by keying in his/her Now ID password for verification each time a request is made to view Mature Content on Now Player. PCCW Media Limited shall not be liable in any way for any access to or viewing of, Mature Content through your Now Player account by any minor or any unauthorized person.Д«y activating the Mature Content Lock, you can prevent your children and other minors from watching Mature Content through your Now Player account. You are responsible for checking the identity and age of any person who wishes or intends to view any Mature Content before you permit that person to view such content and for generally ensuring that minors do not access such content by using your login details and password. Maybe they all have a piece of the truth, and maybe our story would be what it really was.Some content on Now Player are not suitable for viewing by persons below 18 years of age (вЂњminorsвЂќ) as they contain adult content or content meant for mature audiences (вЂњMature ContentвЂќ). We thought letвЂ™s call our creature the Lamia and take a little bit of all the different ideas that are presented in these reference books to these demons. We read about them, and we were interested and excited and thought how interesting that this is a different creature in many different cultures that all know that name. There are a lot of different stories in different cultures about a spirit, or demon, or god known as Lamia. вЂњSometimes itвЂ™s a female and a baby eater. вЂњ There are other cultures that reference the Lamia as a demon,вЂќ Sam told us. The original tale, which involves a Libyan queen named Lamia who fooled around with Zeus and so contracted a rather grotesque curse from the eternally jealous Hera, goes well beyond the Greek. The nature of the curse haunting the young Christine Brown is no trivial affair, for this is the much feared, though little known, curse of the Lamia, a strange beast of mythological origins that had bad child-eating habits, hermaphroditic qualities, and removable eyes (which, on a side note of interest, makes the Pale Man from PanвЂ™s Labyrinth another arguable appearance of the Lamia in modern film). For me, itвЂ™s a great weight off of my shoulders.вЂќ So itвЂ™s the lower brow that I really enjoy working in.

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IвЂ™m just trying to make a horror movie that people go to, that they laugh at, that they think is suspenseful, they get excited about the action or exciting monster sequences, they get scared, they go вЂoh gross!вЂ™, and have those kind of funhouse reactions. So itвЂ™s a little less assaulting than the Evil Dead movies, which were unrated films. Raimi himself stopped to talk with us in between takes and gave us some insight on what to expect with this film in comparison to his classic favorites. With this film, we went more with an animalistic approach in terms of sharpened teeth, animal eyes, and that sort of stuff.вЂќ We were going with demonic skulls and creepier things like that, especially in Army of Darkness. The Evil Dead movies were a lot more outrageous. There are a lot of animalistic qualities to them. вЂњ ThereвЂ™s a recurring theme that we utilize when weвЂ™re designing the characters. The precise design of the hellish terrors was kept under wraps, though Greg was open to describing the influences involved. It really raised my interest level and excitement about it because this is the guy who redefined the horror landscape.вЂќ Sam is really receptive every single step of the way. WeвЂ™re doing the practical stuff.вЂ™ So weвЂ™re designing rotting corpses, and weвЂ™re designing demon make-ups and possession make-ups. In the first meeting I said, вЂYou know we could potentially do a CGI implementation here,вЂ™ and heвЂ™s like, вЂњAhhhh! That CG stuff! Get that crazy crap out of here. He wants to use animatronics, puppets, and dummy heads. But we still have the same sensibilities. вЂњ WeвЂ™ve got possessed characters, weвЂ™ve got some rotting corpses.вЂќДЄsked for more details, he went on to say, вЂњ WeвЂ™ve both matured in the 22 years since we worked together on Evil Dead 2. вЂњ This is back to basics for Sam,вЂќ Greg told us. These terrible things quite likely involve the creative mind of Greg Nicotero, a monster maker of daunting credits who also worked with Raimi in the second and third Evil Dead films.

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